PRINTS!

My prints are all of temporary dwellings, which is a subject I have been painting throughout college. Instead of using all of the words in the first print, I decided to divide them because I liked them so much that I wanted to do each justice.

My first print depicts a tree house at midnight, stirred by the wind.

My second print is of a barnacled boat on the sea.

My third print encompasses the spirit of exhilaration and my friendship with Michaela.

I painted these pieces in photoshop, a process I haven't really attempted since fooling around in MS Paint as a kid. For the first time, I played with the opacity and flow of the paint, which made my prints seem less cartoon-y (a tendency even my acrylic paintings have sometimes). I hope that I built up the illusion of texture in the pieces, because that is a part of my acrylic painting that has always been important to me.

A Thousand Words

In order to convey the vibrancy and diversity of cities, we created a mural of a city skyline composed entirely of text in many different languages.

Each person has a different method for making buildings. We culled the words from foreign language dictionaries, song lyrics, and poetry. Each member of the group created several buildings, which we compiled into one image atop a subtly swirling background made up of the word city repeated in a multitude of languages. The result is a mural that captures the essence of metropolitan communities.

I used lyrics and poems that somehow relate to a city, some in French, but mostly in English. Each building is made by layering the words again and again until the image began resembling an inky lithography of corrugated cardboard. I made ten buildings by pasting the words over each other again and again until they created the impression of a building. The effect was something like rolling ink over corrugated cardboard, which is particularly relevant to my work.

I assisted with the process of compiling the final piece, though James did most of the work for that step. I wrote the artist statement for the group. I hemmed and grommeted the mural with Cody, James, and Andrew. I supervised the installation of the mural on Wednesday morning.

images of book

My book concept stemmed from a problem I had when I tried to exhibit my cardboard sculptures.  Previously, I was able to explain the functions that I assigned to them whenever I presented the pieces, but when I displayed them behind glass, my intention was lost.  I decided to attempt to remedy that by making user manuals for three of the sculptures.  These included step-by-step instructions for how to use the machine, a small diagram of the essential parts, my statement, and a fold out large, detailed diagram of it on the back.  After trying several different automatic tracing features in illustrator, I finally gave up and traced over the photographs myself.  By doing so I achieved the clean and detailed line drawings I envisioned.  Though I am happy with overall look of the booklets, I don't think they add enough to the sculptures to be justified.  I handed them out at my faculty critique, and everyone seemed to agree that the diagrams did not redefine the objects enough.  I will continue to work on this piece.

Ideas for book...

Though I began this project thinking that I would relate a story from my childhood, I have begun to consider changing my idea.  I'd like to create instructions for using my cardboard machine sculptures.  I want to be able to print them on one sheet of paper and fold them into tiny booklets.  I've been attempting all different folding techniques.  As the final piece, I think I'll print out forty or so and pass them out at thee faculty critique with my artist statement.  Perhaps they could even be my artist statement!  We'll see how it goes...

Prints

I know it is against the rules, but I am compelled to divide the list of randomly selected words into three images instead of using them all in the first image and going from there.  I just already know exactly what I want to paint for all three prints and no matter how hard I try to smoosh all the ideas into one image, I can't let myself do it.  I want these to be small square paintings.  I've always wanted to make a whole wall of tiny paintings.  Maybe this will be the beginning of an even bigger series...

Image I
Treehouse

Midnight

Wind

Image II

Sea
Barnacles

Image III
Exhilaration

Michaela

Mural Ideas...

We've been brainstorming and all agree that we want to work somehow with text. We weren't sure exactly what that would look like, so we all did "sketches" of what we'd each like to make the subject of the mural. Many of us had landscapes and city scapes. We realized pretty quickly that a city scape would make more sense. The city is the center of culture, art, and creativity. We are each now going to work on a few buildings to show how text can be used to depict buildings. Here are mine:

Mailer

THE LIST

Michaela
Sea
Wind
Exhilaration
Treehouse
Barnacles
Midnight

Copal

Composite

I borrowed a photograph of a tree from the internet, then sprinkled the branches with colorful birds from a poster of birds of the forest that I found online.

bloggety blog blog

Hello--I'm Kate.  Though I don't have much experience using the computer to make my work, I'm excited by the prospect.  The book project is particularly interesting for me.  I took Elizabeth Mackie's Book Arts course and spent some time at Women's Studio Workshop this summer, where I was able to observe many artists making their own artist books.  Ever since, I've been looking for the chance to work on a more ambitious book.

Here's one of my sculptures--a book the size of a single bed, with cloth-covered foam for a cover and bed sheets for pages.  I painted the words of Margaret Atwood's poem "Variation on the Word Sleep," on the pages, which, incidentally,  was the same poem I used for my Digital Imaging I book project.